Colour Intervals
May 19 to June 23, 2018
Awakening 1
2016, monoprint on 2 layers of polyester film, 33 x 20 “
Awakening 3
2016, monoprint on 2 layers of polyester film, 33 x 20 “
Dusk 1
2016, acrylic and pigments on cast acrylic with mirror, 10.25 x 10.25 “
Dusk 3
2016, acrylic and pigments on cast acrylic with mirror, 10.25 x 10.25 “
Hyphen Seriatim 1
2018, casein on Hakuho paper with acrylic on polyester film, 12 x 9 “
Hyphen Seriatim 2
2018, casein on Hakuho paper with acrylic on polyester film, 12 x 9 “
Hyphen Seriatim 3
2018, casein on Hakuho paper with acrylic on polyester film, 12 x 9 “
Hyphen Seriatim 4
2018, casein on Hakuho paper with acrylic on polyester film, 12 x 9 “
Hyphen Seriatim 5
2018, casein on Hakuho paper with acrylic on polyester film, 12 x 9 “
Interlude 2
2016, acrylic and pigments on polyester film, 17 x 14 “
Intervals 12
2018, monoprint on polyester film, 50 x 40 “
Intervals 13
2018, monoprint on polyester film, 50 x 40 “
Quondam 1
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 2
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 4
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 5
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 6
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 7
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 8
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Quondam 9
2017/18, casein on Hakuho/Arnhem paper, acrylic on polyester film, 14 x 11 “
Relay 1
2018, casein on Hakuho paper with acrylic on polyester film, 12 x 9 “
Sensing Lines v
2014, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines ii
2014, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines viii
2014, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
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Sensing Lines Series
Sensing Lines i
2014, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines ii
2014, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines v
2014, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines vi
2013, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines viii
2013, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Sensing Lines Series
2013, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”2
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Intervals Series
INtervals 3, 4, and 5
monoprint on polyester film, unframed, each image size: 50 x 40 ”
Intervals 4
monoprint on polyester film, unframed, image size: 50 x 40 ”
Intervals 3
monoprint on polyester film, unframed, image size: 50 x 40 ”
Intervals 5
monoprint on polyester film, unframed, image size: 50 x 40 ”
Intervals 7
monoprint on polyester film, unframed, image size: 50 x 40 ”
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Graphite Series
Transposition Graphite ii
2012, graphite + pigment on polyester film, 25.5 x 19.75 ”
Transposition Graphite ii
2012, graphite + pigment on polyester film, 25.5 x 19.75 ”
framed size: 32 x 26 ”
Transposition Graphite iv
2012, graphite + pigment on polyester film, 25.5 x 19.75 ”
Transposition Graphite v
2012, graphite + pigment on polyester film, 25.5 x 19.75 ”
Conscience I
2012, graphite + pigment on polyester film, 25.5 x 19.75 ”
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Various Series
Revision
acrylic and pigments on polyester film, 2014, 33 x 33 ”
Revision White Series
2010, acrylic and pigments on polyester film (matted), 28 x 28 ”
framed size: 33 x 33 ”. Others available in series
Colour Transposition xiv
2013, acrylic and pigment on 2 layers of polyester film, 12 x 12 ”
framed size: 17 x 17 ”
(In)between Shadow Space i
2011, oil + pigments on 2 etched glass panels, 15 x 21 ”
mounted on 2 aluminum rails
Colour Lapse Sanguine
2009, oil and pigments on 2 layers of etched glass with mirror, 8.25 x 18.5 ”, diptych
Nocturnal
2017, acrylic and pigments on 3 acrylic panels with acrylic mirror,
12.25 x 23.875 ” in aluminum fixture
Diurnal
2017, acrylic and pigments on 3 acrylic panels with acrylic mirror,
12.25 x 23.875 ” in aluminum fixture
Revision Red Earth/Cadmium
2012, acrylic and pigments on polyester film (mounted on pins), 28 x 28 ”
framed size: 33 x 33 ”
Dusk I
2016, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
Dusk iii
2016, acrylic and pigments on 3 acrylic panels with acrylic mirror, 8.25 x 12.25 ”
White Space - (Reverse Reading)
2010, oil and pigments on 9 etched glass panels, 49.5 x 49.5 ”
mounted on 36 stainless steel brackets
Reverb 3
2013, acrylic and pigments on 2 layers of cast acrylic and mirror, 48 x 36 ”
Conscience ii (detail)
2014, graphite + acrylic on acrylic panel with acrylic mirror, 74 x 74 ”
can also be wall mounted on white rails
Conscience ii (shown on floor)
2014, graphite + acrylic on acrylic panel with acrylic mirror, 74 x 74 ”
can also be wall mounted on white rails
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Lucinda Cobley
Bio
Lucinda Cobley was born in Birmingham U.K. in 1963. In 1985 she graduated with a BA (Hons) Glass Design from North Staffordshire Polytechnic. Acquired a Post Graduate Diploma in Illustration from Central Saint Martins College of Art and Design, University of Arts, London in 1993, and qualified as a teacher from the Institute of Education at University of Central London in 1998. Currently resident in the U.S. she lives in Houston, Texas. The artist’s practice encompasses painting, printmaking and sculptural installation. Currently a member of PrintMatters and Burning Bones Press she also teaches painting and drawing at The Art League in Houston.
Lucinda Cobley’s work is abstract and reductive. Formed by applying and removing paint with flat edged implements, sponges and brushes they are assembled from multiple layers of translucent glass, paper or plastic. The individual works are assembled into frames and arranged in sequences or groupings following linear or grid formations. Color relationships become discernable through subtle refractions of light in tandem with physical movements made by the viewer. Sometimes barely visible, each translucent layer reveals luminous color interactions and exposes the history of the mark-making process. The paints are made from a combination of minerals and pigments such as alabaster, malachite or marble dust and when applied onto the semi-transparent materials, the textured paint, reflects light and shadows that resolve into meditative translucence.
Venues for work exhibited include The Royal College of Art London, Corpus Christie Art Museum, Art League Houston, Smithtown Township Arts Council, New York, Proteus Gowanus New York, University of Texas at San Antonio, Islip Art Museum, Siena Art Institute, Italy, Museum of Fine Arts Houston, Museum of Printing History, Houston, the Masur Museum of Art, Monroe, Louisiana, Plains Art Museum, North Dakota, Galveston Arts Center and the University of Houston Downtown. Lucinda Cobley’s work has been featured in juried publications including ‘Images 20 by The Association of Illustrators’ in the UK and selected by Terrie Sultan Director of the Parrish Museum New York for ‘New American Painting Issue #84’ and selected by Michael Paglia for the publication ‘Texas Abstract: Modern and Contemporary.’
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© 2019 Nicole Longnecker Gallery. All rights reserved.
Located in the heart of Gallery Row, near River Oaks in the Upper Kirby District, in Houston, Texas, our art gallery offers collectors a wide range of contemporary art in various media by artists on both a national and international level. The art gallery has an active program of exhibitions displaying artistic expressions in drawing, painting, printmaking, and sculpture. Nicole Longnecker Gallery is dedicated to promoting visual art in our community by supporting local educational efforts and various non-profit organizations along with engaging new collectors and educating the community about art.